Although the Bluebird's size makes it slightly harder to place sometimes, and rather more conspicuous, its distinctive shape and colour often worked very much in its favour, making it an ideal choice when some ego-flattering was required! For harder rock-style vocals it can be great, but I often find it a little too aggressive sounding for gentler vocalists or most instrumentalists — although it can work very well to give acoustic guitars just the right edge to cut through in a complex mix. Although described as a cardioid mic, the polar response chart reveals hidden hypercardioid tendencies above 1kHz, where the rear rejection struggles to better 10dB. The Bluebird is the same size and overall shape as the Baby Bottle, and I dare say many will confuse the two from a distance. This is held in place by a two-part metal block, and is anchored via a pair of knurled bolts. This is a unique and crunchy sounding microphone. ... 15 Hz - 20 kHz Frequency Response; Multi-Jointed Headband; Usually ships in 1 - 2 weeks what … The Bluebird SL features a 138 dB maximum SPL, allowing it to handle a wide range of acoustic and electric sound sources, as well as a bumpy/sculpted 20 Hz to 20 kHz frequency response. Blue Microphones Bluebird Ratings/Price. Blue Authorised Dealer in New Zealand & Australia - Rubber Monkey - Your Audio Visual Superstore. Although the dimensions of both models are identical at 220mm in length and 44mm in diameter, with the capsule housing removed from the body at the end of an inch-long stalk, the capsule head of the Bluebird design is fractionally larger than that of the Baby Bottle — and whereas the latter's capsule casing is spherical, the Bluebird's has a flattened front surface. All contents copyright © SOS Publications Group and/or its licensors, 1985-2021. This mic has a high SPL rating (138 db, if I'm not mistaken) which makes it versatile enough to handle vocals, close micing of drums, electric or acoustic guitars and just about anything else you could use if … If you find your Bluebird to be too bright or sib The bottom end rolls off smoothly and gradually from about 500Hz when the mic is used at a distance, but this is easily compensated for by the proximity effect when the mic is used at close range to the source. The Birdnest pop screen is a thing of beauty — a metal disc 65mm in diameter supporting a fine gauze-mesh screen printed with the Blue logo. By using discrete Class A circuitry, the Blue Bluebird SL offers you high output and a frequency response that flatters most sound sources, from vocals to acoustic and electric instruments. It's highs are more pronounced than another mic with a flat frequency response. Releasing these allows the block to be split in two and clamped around the stalk below the Bluebird mic capsule. i decide to go with blue bluebird sl. the Bluebird is a very sweet sounding mic with a smiley face response boosted highs, boosted lows. The mic's electronics are phantom powered in the usual way, drawing a modest 1.8mA of current from a 48V supply, and able to operate within the specifications on supplies down to 35V. All rights reserved. You may login with either your assigned username or your e-mail address. There is a bump in 2kHz – 10kHz which provides a sheen for higher-pitched vocalists. This is yet another good quality mic from Blue, and one that can truly be described as a versatile, general-purpose mic. For harder rock-style vocals it can be great, but I often find it a little too aggressive sounding for gentler vocalists or most instrumentalists…. It looks great, sounds smooth and detailed, and is remarkably quiet. Its detailed midrange makes most vocals stand out in the mix and accentuates the warmer qualities in brass and higher stringed instruments. By using discrete Class A circuitry, the Blue Bluebird SL offers you high output and a frequency response that flatters most sound sources, from vocals to acoustic and electric instruments. Note that unlike some Blue microphones, the Bluebird capsule is not designed to be removed or to rotate, swivel, or move in any direction. Although more hypercardioid than cardioid, the mic's frequency response is sufficiently neutral to suit a wide range of instrumentation and voices, and the supplied shockmount, pop screen, and cable make this an ideal high-quality option for novice or experienced user alike. Although it may look very similar to their existing Baby Bottle, this new mic from BLUE turns out to be a different beast entirely. Microphone type: Condenser; Polar Pattern: Cardioid; Diaphragm Size: 0.98″ (25mm) Frequency Response: 20Hz-20kHz; Max SPL (Sound pressure level): 138dB. Did we get anything wrong on this page? (27 mV/Pa; 20 - 20,000 Hz). The Bluebird is a large-diaphragm, fixed-cardioid FET condenser microphone with a relatively neutral response. Part of the juggling of figures here is in order to enhance the Bluebird's ability to cope with the high sound levels which might be encountered in instrument close-miking applications, and as a result the Bluebird's maximum SPL (for 0.5 percent distortion) is 138dB (the Baby Bottle's maximum SPL is specified at 133dB). Blue Microphones Bluebird Cardioid Condenser Microphone. As far as the specifications of this mic, this is a cardioid polar pattern mic, it has a frequency response of 20 Hertz to 20,000 Hertz that’s pretty common with all condenser mics, the dynamic range is 126.3 dB, and in order to power up this mic, you do need phantom powers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The mic cable appears to be good-quality cable with a transparent blue plastic sheath revealing the braided cable screen beneath. Very mid forward though. Superficially very similar in size and styling to the Baby Bottle (reviewed in SOS November 2002), the Bluebird is slightly unusual in the BLUE line, as it has been designed to suit a wide range of applications. In contrast, the Bluebird sounds smoother through the mid-range and upper mid-range, but with a sparkly brightness towards the top of the spectrum that implies more detail, air, and resolution than is really there. This Bird Sings On Vocals -- And More Patterned after the popular Baby Bottle, the Bluebird is part of Blue's "Essential" line of mid-priced microphones. i highly recommend blue bluebird sl if you you have a clear crispy highpitch vocal. The headbasket is fixed to the mic body. According to BLUE, the Bluebird was initially manufactured in the US — not Latvia, as with many other Blue mics. Frequency Response: 20Hz – 20kHz ; Sensitivity: 28.5 mV/Pa at 1 kHz (1 pa = 94 dB SPL) Output Impedance: 50 ohm; Rate Load Impedance: Not less than 1k ohm; Maximum SPL: 138dB SPL (0.5%) S/N Ratio: 82.3 dB-A; Noise Level: 11.7; Dynamic Range: 126.3 dB; Power Requirement: +48V DC Phantom Power; Weight: 455g; Dimensions: 222.5mm x 47.5mm; HPF: 100Hz, 12db per octave; PAD:-20dB This practice can lead to the creation of ground loops and hums when connecting some equipment, as it can link the chassis and signal earths together. The Bluebird is a large-diaphragm, fixed-cardioid FET condenser microphone with a relatively neutral response. Technical Specifications. Its detailed midrange makes most vocals stand out in the mix and accentuates the warmer qualities in brass and higher stringed instruments. This contains one of Blue's own bespoke 'high-definition' microphone cables — in this case a six-metre 22awg Blueberry cable — plus a specially designed Birdcage cradle shockmount and the Birdnest metal-mesh pop filter.The included Birdnest pop screen clamps directly to the capsule mounting stalk.Photo: Mark Ewing. The Bluebird is designed to be versatile, with an even-handed response throughout the midrange and a decidedly airy top end. Output Impedance: 50 Ohms; Signal to Noise Ratio: 87dB (A weighted) Self Noise: 7dB (A weighted) Color: Blue; Connector: … The views expressed are those of the contributors and not necessarily those of the publishers. The Bluebird sounds as attractive as it looks, and represents a useful and versatile addition to the BLUE range. Vocalists who sounded too hard or fierce on the Baby Bottle were far more natural on the Bluebird, and despite the falling bass response shown on the frequency plot in the handbook, the bottom end was actually nicely rounded and full, being well balanced to the rest of the sound spectrum. By using discrete Class A circuitry, the Blue Bluebird SL offers you high output and a frequency response that flatters most sound sources, from vocals to acoustic and electric instruments. What is SPL? Chassis screen connection in cable may cause ground-loop problems. The two review units matched up very well in terms of overall sound, frequency response and sensitivity, and work great together in various stereo configurations such as ORTF stereo and XY stereo. The Blue Bluebird is a nicely built transformerless LDC whose only arguable fault is its relatively bright voicing. Blue's Bluebird microphone is a condenser with a cardioid pattern and a 20Hz to 20kHz frequency range. Weight: 115 lbs per pair. The capsule is Blue’s model B8, which is available separately for Blue’s Bottle mics. Once the Bluebird is on the stand and powered up, make sure that the active, on-axis side of the capsule (the side aligned with and directly above the Blue logo) is facing the desired source. A pair of level arms are used to expand the felt-lined inner tube slightly to allow the microphone to be installed, and releasing the arms then clamps the mic firmly in place. Transducer Type: Condenser, Pressure Gradient Polar Patterns: Cardioid Frequency Response: 20Hz – 20kHz Sensitivity: 28.5 mV/Pa at 1 kHz (1 pa = 94 dB SPL) Output Impedance: 50 ohm Rate Load Impedance: Not less than 1k omh Maximum SPL: 138dB SPL (0.5%) S/N Ratio: 82.3 dB-A Noise Level: 11.7 Dynamic Range: 126.3 dB Power Requirement: +48V DC Phantom … The Bluebird is a cardioid mic, and is designed to reject off-axis sound arriving at the back of the capsule. It delivers a smooth and beautiful sound and has low self-noise. It's designed to do everything well. WIN Prism Sound TITAN audio interface & Waveform Extreme software bundle, Recording Drum Kits With Only Two Mics | Audio Examples, Abbey Road Studios Spatial Audio Forum | Podcast, Distant City Studios - A Drum Room With A Difference, Mastering Essentials Part 6 - Final Delivery: Requirements & Specs, Re: Audio interface and mic for male vocals. Please let us know! This is neither a pro nor a con. Works especially great on a nice female voice or for silky male vocals. The shockmount is a common design, often seen supplied with Chinese mics, comprising an inner tube supported from an outer cradle by top and bottom zigzag elastic loops. Perhaps the more obvious difference, though, is that the body tube of the Baby Bottle is a discrete black, while the Bluebird is a tasteful pale blue. Very low noise floor and wide dynamic range. The capsule itself is edge terminated and features a six-micron gold-sputtered mylar diaphragm. Blue says that all Hummingbirds are built to be within a 2dB range, so there's no need for specialized "matched pairs." Each of Blue’s SL mics - the Spark, Bluebird, and Baby Bottle - each have a different tonal character. Frequency Response: 20Hz – 20kHz ; Sensitivity: 39.8 mV/Pa at 1 kHz (1 pa = 94 dB SPL) Output Impedance: 50 ohm; Rate Load Impedance: Not less than 1k ohm; Maximum SPL: 134dB SPL (1kHz, THD 0.5%) S/N Ratio: 83.2 dB-A; Noise Level: 10.8 dB; Dynamic Range: 123.2 dB; Power Requirement: +48V DC Phantom Power; Weight: 410g; Dimensions: 222.5mm x 51.5mm; HPF: 100Hz, 12db per octave The specifications claim a meaningless 20Hz-20kHz frequency response, but the rather stylised frequency-response chart provided in the handbook reveals a reasonably flat overall response with an airy peak centred at about 12kHz and a small presence lift at about 2.5kHz. The Blue Bluebird is a very decent mic. In contrast, the Bluebird sounds smoother through the mid-range and upper mid-range, but with a sparkly brightness towards the top of the spectrum that implies more detail, air, and resolution than is really there. The good news is that the versatile Bluebird is now available in its own right, along with an impressive kit of parts that includes cable, shockmount, and bespoke pop screen. (Presumably, the Bluebird is today manufactured in Asia.). The mic stand adaptor has the American standard 5/8-inch thread, and unfortunately a European 3/8-inch adaptor wasn't supplied. However, there are several obvious differences when the two microphones are viewed at closer quarters. It also makes a good over-the-shoulder mic for recording acoustic... by foolhardy BLUE Bluebird Because of the Bluebird’s neutral frequency response 5 and wide dynamic range, it can handle a lot of different types of instruments. This may cause some “ess” problems for certain singers. Heads up: SSL Native Essentials Bundle Deal. Specifications. Amazon | Check eBay! The included Birdnest pop screen clamps directly to the capsule mounting stalk. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. The pop screen works well, and everyone who saw the mic loved the way it looked with the screen attached. I have used the Baby Bottle quite a lot over the last year or so, but find its rather forward upper mid-range is the determining factor over the sources I can use it with. The Bluebird is really nice for more “airy” vocalists because the Bluebird is a very sweet sounding mic with a smiley face response. The frequency response is 20Hz-20 KHz, meaning a very high frequency range to capture both high and extremely low ends without difficulty or loss of fidelity. The specifications suggest a sensitivity of 27mV/Pa (2dB lower than for the Baby Bottle) with a noise floor of 7.5dBA (a corresponding 2dB higher). It's not a new design as such — but it was previously only available as part of a package with various Digidesign and Focusrite products. The stock capsule is similar to our own RK-12, and seems to benefit from a bit of high-frequency corrective EQ that the Bluebird circuit does not provide. The Bluebird SL focuses on a “shimmering high end” with rich lows and solid mids. It works well though, and has a crispness and clarity that suits most music genres. The included accessory pack is well worth having too and, apart from minor reservations about the cable wiring and the lack of a 3/8-inch thread adaptor, it makes the Bluebird kit very cost effective. However, in the regions around 130 and 220 degrees the rejection nulls become quite prominent, exceeding 20dB above 500Hz, so I would strongly suggest thinking of this mic as hypercardioid when placing it in order to optimise the rejection of unwanted spill from nearby sources. I also tried the Bluebird on a clarinet and a sax, obtaining nice crisp results from both, and as an overall mic above a percussionist it delivered clear detailed transients that sat nicely in the mix. I have used the Baby Bottle quite a lot over the last year or so, but find its rather forward upper mid-range is the determining factor over the sources I can use it with. The Bluebird’s transformerless, Class A amplifier circuit has low noise (7 dBA) and a high output level (+12dBV). Frequency response 33-23000 Hz. These hand-built microphones are mainly studio condensers (although there are a few dynamic models too) and are mostly put together in Riga, Latvia. There are other more subtle differences between the two in the shape of the various metal mouldings that decorate the body, and, intriguingly, the review model's identity badge claims that the microphone is 'Made in the USA' as opposed to in Latvia. Page 2 With proper care and use, the Bluebird will reward you with many years of recording enjoyment. Today I review the Blue Bluebird SL. Boosted highs, boosted lows. The Bluebird is an excellent mic with a flat frequency response from 100Hz to 2kHz. In many ways I preferred the Bluebird to the Baby Bottle, principally because I found it more flexible and compatible with a wider range of sources. Frequency Response: 20Hz-20kHz Sensitivity: 28.5 mV/Pa at 1 kHz (1 pa = 94 dB SPL) ... i tried blue yeti pro/ rode NTK/ blue baby bottle/ blue bluebird sl. In most cases this should capture a very comfortable vocal sound that needs little EQ to fine-tune it. Unlike other bluebirds you may know of, this one requires no feeding and there’s no mess to clean up! Sometimes I want the vox to be very bright, so I'll use the Bluebird. Cardioid Most of BLUE's models are optimised for specific applications, but the Bluebird is a true general-purpose mic, equally at home recording vocals, electric or acoustic guitars, drums, percussion, piano, brass, strings, and so on. The BLUE microphone company — the name being derived from Baltic Latvian Universal Electronics — have built up an impressive portfolio of microphone models spanning a wide price range, and all with distinctive, quirky styling. With its flatter response, the Baby Bottle SL has a … The capsule is Blue’s model B8, which is available separately for Blue’s Bottle mics. Impedance is 4 ohms with 89dB sensitivity. Page 3 Bluebird Capsule Frequency Response This frequency chart of the Bluebird capsule is only a start. In general terms, this mic fitted in nicely with my own mic collection, serving as a general-purpose mic alongside my Audio Technica AT4040s. In addition to the microphone itself, supplied in a smart wooden box, the Bluebird kit also includes an accessory pack. Its detailed midrange makes most vocals stand out in the mix and accentuates the warmer qualities in brass and higher stringed instruments. The pop screen is then fixed firmly about 15mm in front of the capsule, lending an air of professional superiority and expense to the set up. The specifications claim a meaningless 20Hz-20kHz frequency response, but the rather stylised frequency-response chart provided in the handbook reveals a reasonably flat overall response with an airy peak centred at about 12kHz and a small presence lift at about 2.5kHz. All employ Class-A circuit topologies in the head amps, with either valve or solid-state (FET) active devices depending on model, and most feature transformerless outputs.Photo: Mark Ewing. It was obviously a lot quieter than my AKG C414B ULS mics too, but with a similarly wide dynamic range. In this last application, the relatively distant placement above the percussionist's hands resulted in a weakened bass response which undoubtedly helped by reducing any tendency towards muddiness from other instrument spill. The latest addition to the line-up is the Bluebird model: a large-diaphragm cardioid capacitor microphone. With a max SPL of 138db, it can handle just about any volume thrown at it. the Baby Bottle is a more robust, darker sounding mic. In use, the mic clearly has a hypercardioid polar response, and I don't understand why it is marketed as a cardioid — there is an obvious rear tail, with the rejection nulls being to the sides exactly like a true hypercardioid. Vocalists who sounded too hard or fierce on the Baby Bottle were far more natural on the Bluebird, and despite the falling bass response shown on the frequency plot in the handbook, the bottom end was actually nicely rounded and full, being well balanced to the rest of the sound spectrum. The mic’s signal path, like the B8 capsule, is designed for minimal distortion and coloration. Works great on a nice female voice or for silky/airy male vocals. Like most mics, the manufacturer's logo identifies the front of the capsule, and the base of the body incorporates a male XLR to carry the output signal.
Masonic Questions And Answers For The First Degree, How To Make A Dog Emoji On Keyboard, Navedtra 14235b Pdf, Assessing Orientation To Person, Place, And Time Helps Determine Quizlet, D Major Piano Chord, Shivering While Sleeping, Emmett Kelly Circus Collection Lithograph, Dominican Republic Deaths Alcohol, Ford Ceo List, Real Sonar Sound,